Bárbara Perea Legorreta on the exhibition ‘Entanglements Before and After NAFTA,’ July, 2019

July 2019: Bárbara Perea Legorreta on the exhibition ‘Entanglements Before and After NAFTA’ In this video, curator Bárbara Perea Legorreta offers a detailed overview of her exhibition ‘Entanglements Before and After NAFTA’ presented in ISCP’s project space from June 4-September…

Bárbara Perea Legorreta on the exhibition 'Entanglements Before and After NAFTA,' July, 2019

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July 2019: Bárbara Perea Legorreta on the exhibition ‘Entanglements Before and After NAFTA’

In this video, curator Bárbara Perea Legorreta offers a detailed overview of her exhibition ‘Entanglements Before and After NAFTA’ presented in ISCP’s project space from June 4-September 27, 2019.

In the wake of the recent and tense renegotiation of the three-way North American Free Trade Agreement (NAFTA) between Canada, the United States, and Mexico, the growing humanitarian immigration crisis, and new draconian United States border policies, ‘Entanglements: Before and After NAFTA’ presents a critical and transhistorical analysis of economic exchange in North America through the lens of contemporary art practices. The featured artists explore a range of issues including links between Canadian mining interests and organized crime, the effects of Big Sugar on the post-NAFTA diet, the necropolitical instrumentalization of populations in service to drug trade, and other entangled undercurrents that are related to this pact. Currency and exchange value, resource extraction, oil trade, raw materials and shifts in agricultural patterns and food sources, are addressed by eleven artists in a complex interrelated multi-media installation marked by objects, symbology, appropriated imagery and audiovisual narratives.

‘Entanglements: Before and After NAFTA’ is curated by Bárbara Perea Legorreta, ISCP Jane Farver Curatorial Resident in 2019, sponsored by Lambent Foundation Fund of Tides Foundation and the Jane Farver Memorial Fund. She is an independent Mexico City-based curator and writer. Her practice focuses primarily on media and sound art and is grounded in the concept of exhibition making as a platform for critical thinking. Core aspects of her practice include transdisciplinarity and fostering dialogues between media art, contemporary practices and audiences. She is interested in listening practices and perceptual phenomena in relation to art.

This program is supported, in part, by Greenwich Collection Ltd.; Hartfield Foundation; Jane Farver Memorial Fund; Lambent Foundation Fund of Tides Foundation; New York City Department of Cultural Affairs, in partnership with the City Council; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; and Stavros Niarchos Foundation (SNF).

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